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Rolando Yanes | MBII Director
Rolando Yanes is a native of Villa Clara, Cuba. He received training at the Professional School of the Arts and the Vocational School of Ballet in Santa Clara, Cuba. While in Cuba, Mr. Yanes was a principal dancer with Ballet de Camaguey under the direction of Fernando Alonso. In 1995, he was awarded the Silver Medal at the prestigious International Ballet Competition in Brasilia, Brazil. Mr. Yanes came to the United States in 1996 as a principal dancer with Milwaukee Ballet Company.
Mr. Yanes expanded his diverse classical and contemporary repertoire while at Milwaukee Ballet dancing leading roles in such ballets as Romeo & Juliet, Swan Lake, Coppélia, The Nutcracker and Giselle. His powerful technique and unparalleled partnering skills led to principal roles in La Esmeralda, Spartacus, Troy Game, Who Cares?, Diana and Acteon, and Le Corsaire, as well as major works from leading choreographers like George Balanchine, Choo-San Goh, Robert Joffrey and Kathryn Posin. He has performed with numerous companies such as Ballet Taller de San Juan (Puerto Rico) and in The International Ballet Festivals in Havana, Cuba and Maracaibo, Venezuela.
Mr. Yanes became the director of The Nancy Einhorn Milwaukee Ballet II Program in 2001. Since 2004, Mr. Yanes has also been directing Milwaukee Ballet School & Academy. He has created original work for the school including Alice in Wonderland and the upcoming Adventures of the Cipollino. He has been a judge in international and national ballet competitions including the American Youth Competition, DATE Competition in Sendai, Japan and the Japan Grand Prix.
Mireille Favarel | Associate Director
Mireille Favarel was born in Toulon, France. After studying with Rosella Hightower at the Centre de Danse International in Cannes, Lydia Menchova from the Bolshoi, Robert Bestonso from the Royal Ballet, and Raymond Franchetti from the Paris Opera, Ms. Favarel began her professional career at the age of seventeen with the Ballet du Rhin in Strasbourg. She subsequently joined the Royal Ballet of Flanders in Belgium as a soloist, where she performed her first principal ballerina role as Swanilda in the August Bournonville version of Coppelia, at the age of nineteen. Ms. Favarel later joined the Ballet der Deutsch Oper am Rhein in Düsseldorf, Germany, as a soloist, under the direction of Paolo Bortoluzzi, and the Ballet du Nord in Roubaix, France, as a principal dancer.
In addition to appearing with the Ballet du Nord during many of its international tours, Ms. Favarel represented France in the first New York International Ballet Competition. She was invited to perform in the gala performance for the next competition, and later returned as a coach and teacher for the NYIBC.
Ms. Favarel joined the Milwaukee Ballet as a principal dancer in 1989, where she performed all of the major roles in the company repertoire. The most memorable are her interpretations of Swan Lake, Romeo & Juliet, Coppelia, and Giselle. In 1990, the Milwaukee Journal-Sentinel’s Tom Strini named her “Dancer of the Year” for her interpretations of Swan Lake, Serenade and Coppelia. During her time with the Milwaukee Ballet, many choreographers created works for her, including Kathyrn Posin’s Tehillim and Bach’s Lunch, and Simon Dow’s Spartacus. In May of 2000, Ms. Favarel gave her farewell performance, performing the Dying Swan and Jean Paul Comelin’s Mozart’sRequiem. She became Ballet Mistress for the Company in August of that same year.
Mireille Favarel is currently Associate Director of the Milwaukee Ballet II, and principal teacher of the Milwaukee Ballet School’s highest level, Academy II. She is a frequent guest teacher at major ballet schools and companies in Chicago, Albuquerque, Palm Beach, Kansas City, and in her native country of France. In March of 2012, Ms. Favarel was invited to stage Kathyrn Posin’s Scheherazade for the National Ballet of Bulgaria, in Sofia.
Michael Pink is the longest serving artistic director in Milwaukee Ballet’s history. Since arriving in 2002, he has demonstrated his commitment to the future of dance through new work, education, and collaboration. His artistic vision for Milwaukee Ballet continues to excite and challenge.Learn More